A Blast from the Past

If you grew up in the ’60s and ’70s (like me), you might remember the book series, The Best In Children’s Books. It was published by Doubleday Book Clubs and was a 42 volume set as I learned here. Each volume introduced  a mix of children’s literature by including chapters or excerpts from classics, fairy tales and folk tales. I remember it well. I’m not sure if my family owned any, but I know I read several of them…perhaps in our school library.

I was gandering through some books at an antique store recently when I saw this:

Of course, the first thing I noticed was the cover art! Do you see what I saw there above the word “BOOKS”?
When I opened it up, there was the title page telling me that this particular volume, which happens to be Volume 28 from 1959, contains the Christmas chapter (complete with Garth Williams illustrations) from Little House in the Big Woods. The entire volume had several other stories, many having to do with Christmas.

The price was right and the book became mine!

Does anyone else remember these?

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Committees for LP 2012: Ready to Do Some Planning?

We’ve given readers some periodic teasers about planning for the upcoming LauraPalooza 2012. One such teaser is the formation of sub-committees. We asked a while ago on the Facebook page for LP 2012 about volunteering for various committees, and a lot of you were interested. We’re ready to start forming those now—hooray!

To volunteer, please email [email protected] using the subject line “Committees.” In the body of the email, mention up to two committees you would like to help on, with your top choice ranked first. When choosing, we ask that you note two things:

  • The LIWLRA is an all-volunteer organization. We understand fully that people’s lives are very busy these days; please do not volunteer if you don’t have the time to participate. Most of the committees’ work can be done from afar, but periodic online or phone meetings will be necessary. If you expect this to be difficult to fit into your schedule or aren’t good with deadlines, it is likely that being a part of a committee will frustrate you. 
  • Please offer to volunteer only on committees where you feel confident your experience will help. Everyone has different talents and we want to use all of your individual gifts in the best possible ways.

The sub-committees that will help plan the conference follow. Please note that with few exceptions (notably the Merchandise Committee), existing board members will chair each committee:

Fundraising. Create several long-term and one-time plans of generating funds for the purposes of LIWLRA. Looking for interest and/or experience in grant-writing, working with non-profit fund-raising, organizing silent auctions, etc., and helping with details while at the 2012 conference.
Chair: Connie Neumann
Other board members: none at present
Additional volunteers needed: 2-3

Keynote Programming. Invite prospective keynote speakers, plan their travel, follow up post-conference with thank-yous, and everything in between.
Chair: Rebecca Brammer
Other board members: Sandra Hume, Jonni Craven
Additional volunteers needed: 1-2

Awards/Awards Dinner. Responsible for developing a process around the ordering of the Legacy Award and presenting it to the board, as well as planning the awards dinner. (Note: recipient has already been selected.)
Chair: Rebecca Brammer
Other board members: none at present
Additional volunteers needed: 1-2

Content Programming. Review paper, panel, and educator proposals and develop a rubric for judging them. Help schedule content programming throughout the conference.
Chair: Amy Lauters
Other board members: Sandra Hume, Connie Neumann
Additional volunteers needed: 2-3

Friday Night Entertainment. Determine what entertainment we will schedule for Friday night of the conference; a largely logistical job.
Chair: Jonni Craven
Other board members: none at present
Additional volunteers needed: 1-2

Elections. Establish voting procedures for board members of the Laura Ingalls Wilder Legacy and Research Association; plan upcoming vote.
Chair: Sandra Hume
Other board members: none at present
Additional volunteers needed: 2-3

Registration. Handle records and registration; provide tallies for meal and housing counts as well as overall numbers.
Chair: Jonni Craven
Other board members: Sandra Hume
Additional volunteers needed: 1-2

Publications. Responsible for all aspects—writing, editing, designing—of program, assembling speaker bios, collecting maps, etc., and making sure everyone who needs them has copies.
Chair: Sandra Hume
Other board members: none at present
Additional volunteers needed: 2-3

Food. Plan meals with University.
Chair: Amy Lauters
Other board members: Connie Neumann
Additional volunteers needed: probably none, unless you have a particular passion for food

Children’s Programming. Responsible for planning activities and arranging for their implementation for children entering grades K-6. Skills or knowledge in hands-on pioneer activities is desirable. (Joining this committee does not require you to miss the adult conference activities.)
Chair: Rebecca Brammer
Other board members: none at present
Additional volunteers needed: 2-3

Merchandise. Plan what merchandise (T-shirts, etc.) to have available for conference attendees. Note: This is the only committee that does not have a board member as its chair. We would love to find someone who has experience in this area to chair this committee. Is it you?
Chair: TBD
Other board members: none at present
Additional volunteers needed: 3-4

Just-In-Time/On-Site/Technical. Help pre-emptively solve anticipated problematic issues regarding participants’ needs during the conference; be available on-site during the conference to address needs that come up.
Chair: Amy Lauters
Other board members: Sandra Hume
Additional volunteers needed: probably none, unless this particularly appeals to you; an events-planning class at the University will be spearheading this.

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Why Did Laura Write?

A blog reader wrote in with the following:

Here is a message that appeared on another forum:

…there is some discussion about how much of the works are actually [Laura Ingalls Wilder’s] or her younger sister’s memories, and how much/what exactly was edited by her daughter. I was at a National Endowment for the Humanities class last year and one of the fellow teachers remarked that there is discussion among “Little House” researchers that it may even be that Laura’s daughter pressured her mother to write during the Depression as a source of income; the implication being that some sort of “elder abuse” was occuring to get the writing done. This is why I approach them with a bit of caution.

Can you comment on these points, and if true, how they may have affected the reliability of the contents?

What say you, Laura folk?

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Talking with Kelly Kathleen Ferguson, Author of “My Life as Laura”

Last summer in Mankato, Minnesota at the inaugural LauraPalooza conference, the very first speaker on the podium was Kelly Ferguson, who read from her forthcoming book, My Life As Laura: How I Searched for Laura Ingalls Wilder and Found Myself, which was just released this month.

In honor of both the book release and Kelly’s birthday today, Beyond Little House caught up with her to find out more about this latest addition to “Little House” literature.

Q: Tell us about your Little House fandom. 

A: “Obsessive” would not be too strong of a word. I was six when my mom gave the yellow box set for my birthday and not long after, I realized I could go back to Laura whenever I needed to be okay. I rediscovered  as an adult that I could return to the books and get that “back to center” feeling when life was a mess. The same yellow box set I had as a child sits right next to me RIGHT NOW. So, yes. Obsessive.

Q: Synopsis of the book, in your own words?

“Woman in state of transition dons prairie dress and decides to retrace the pioneer journey of her childhood idol in the hope of figuring out herself for once and freaking all.”

Q: What was the hardest part about writing the book?

The first challenge was I had no idea how to write a book. I was mindboggled. Structure was the hardest part. I had all these ideas and I had written all these pages but had no idea what to do with them. For help, I analyzed other nonfiction books that could serve as role models (for instance, Candyfreak by Steve Almond and Assassination Vacation by Sarah Vowell). At some point I realized that the road trip itself was the structure, which now seems simple. I will also say that Chapter One was a beast and I have about thirty drafts.

Q: What surprised you the most in the process of writing?

That over four hundred pages of writing boiled down to two hundred after editing and revision.

Q: Where did your trip take you? Over how long?

From the book: “Two weeks, five towns.” Aside from Mansfield, Missouri, I only visited places that were settings for the books. I spent more time in the Camry than anywhere else, so it’s a good thing prairies fascinate me. I still haven’t been to Malone, or Spring Valley, or Burr Oak, but I’m scheming ways to get there.

Q: Where were you (in your life) when you began traveling?

I was in a tenuous but giddy state. My boyfriend and I had just gotten back together (hence, tenuous), and I was deliriously happy living in Missoula, Montana. I had just moved West after twenty years of waiting tables “back East” in the same town. In many ways I felt like a pioneer. I didn’t know what would happen, but I was high on expectations and opportunity.

Q: Had you always thought you’d write a book?

I had always dreamed of writing a book. I’m pretty sure most avid readers feel the same way. The problem was I suffered so much anxiety throughout my twenties that even thinking the word “book” put me to bed hyperventilating through a sheet. But (like Laura, probably because of Laura) I can be very determined. Around the age of 32 I began writing every day, even if it was just for myself. From there I wrote for the local weekly, then began writing short stories and essays. I loved it when I found out Laura first writing job was also as a columnist.

Q: How did the idea for the book come about?

I’d been writing about Laura for a while, working on this essay that kept spiraling out of control. The “A-ha!” moment for the road trip came about when I was driving through South Dakota on my way to Montana. I saw the brown sign for the Laura Ingalls Wilder Homestead and wigged out. I knew right then, as Liz Lemon would say, “Me want to go to there.” Events progressed from there.

Q: What did you learn about Laura in your travels that you didn’t expect?

The variety and complexity of small town Midwest culture. I’d always conceived of Laura’s towns as “West,” but a map quickly reveals the middling states. I’d always thought of the Midwest as the states one drives exactly 5 mph past the speed limit on the way to Yellowstone. But if you get on the two-lane highways, there’s a rural beauty that changes dramatically from South Dakota to Minnesota to Kansas. Every time I stepped out of the car I was in a new world.

Q: What did you learn about yourself?

I had always thought of myself as a weenie, but everyone kept saying “how brave you are!” until I realized I am brave. There’s a book called Feel the Fear and Do it Anyway, which I never read, but I have considered the title many times. This concept, of course, is a lesson I first learned from Laura. She always gulped and faced challenges no matter how difficult—physical, social and emotional. But this doesn’t mean she never had doubts.

Q: Where can people buy the book?

The short answer is online at Amazon, Barnes & Noble Online, or directly from Press 53, my publisher. The long story is since that I’m on a small press, it’s very difficult to get into bookstores—even local ones. With Borders closing and the general “sky is falling” atmosphere in NYC publishing, bookselling seems to be going the way of the Indie Music DIY (Do It Yourself) scene. I’m setting up readings at art galleries and coffeeshops and people’s houses, and basically, selling books out of the trunk. Look for a well-traveled Toyota Camry with three-year-old expired Montana tags near you.

Q: What part of the book resonates the most, do you think? With readers, with fans, with you?

I’ll be interested to find out what resonates. Or if the book resonates. I find myself thinking back to De Smet resident Elizabeth Schlosser, winner (at the time of my trip) of the LIW Society Middle School Essay Contest, who wrote, “Our lives may be different, but I think all little girls have a little prairie girl waiting to come out.”

Q: The book has taken a long journey from proposal to publication. Can you share some of that?

Well, I can’t give away the ending, since the last few pages reveal the important parts of that story. All I can say now is that when I first started out, I had no more idea of what would happen than the Ingalls family did when they loaded up and crossed a frozen Lake Pepin.

 

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Independence Holds October event

The Laura Ingalls Wilder season is starting to wind down for the year. However, the Mansfield pageant is still going this first weekend in October and the Little House on the Prairie Museum site has a big fall event planned.

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Spotlight on Nellie’s Cafe

When you’ve traveled to Walnut Grove, have you eaten at Nellie’s Cafe?

What did you think?

(Story linked above comes from AgriNews.)

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Happy Endings…

I haven’t been feeling well lately and have also been very busy. So, what’s on my mind when things slow down and I get to rest and recover? Why, it’s the Little House books, of course! :)

I was thinking about all of the stories that Laura tells throughout the entire series. Some are happy stories and some are sad. Most of the time the stories have a happy ending or at least a lesson to be learned and that’s what I’ve been dwelling on lately.

There are so many chapters or multiple chapters that tell a particular story with a happy ending. I guess if I have to pick one that really stands out, for me it would be towards the end of On The Banks of Plum Creek. You all know the one, right?

A three-day blizzard has just ended and Pa decides to head to town. Ma voices her concern and urges him not to go. Something very unlike Ma, in my opinion. Pa tells her not to worry and heads off to town. The hours tick by slowly until Laura notices that sky has changed. Indeed, a blizzard is coming. A blizzard that goes on until the fourth day when the wind finally calms and the snow stops.

At some point in my life I have come to realize that the scene that I had once looked at as a daughter, I had now begun to see as a wife. Can you imagine the worry and dread that Ma felt for over three days? Where was her husband? She had that bad feeling about the short trip to town in the first place. She probably knew that he would try to make it home to his family before the blizzard hit. And she knew that he was out there. Somewhere. I’m sure she wondered whether she would see him again.

Ma kept that lantern in the window and she waited and waited. What a happy ending when Pa dug his way out of the creek bank so close to home and walked through the door!

I could go on and on, but I wonder…what is one of your favorite happy ending scene from the Little House books?

Please share in the comments below!

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That Engagement Ring, part 2

Some of you might have read a post of mine from a couple of years ago where I mentioned a very slight obsession I have with Laura’s engagement ring. For years I thought I was the only one but something tells me there are others out there harboring a secret desire for a garnet and pearl ring of your very own. You’re in luck! The Laura Ingalls Wilder Museum in Walnut Grove has heard your pleas and commissioned a reproduction garnet and pearl ring based on a 1884 design and Laura’s own description in These Happy Golden Years. I’ve always wondered why none of the homesites have done this before so it’s great to see Walnut Grove taking the initiative.

Of course I wanted this ring the minute I saw it advertised so I called Walnut Grove to get more information. The ring is based on a drawing from a 1884 Montgomery Ward’s catalog that resembles Laura’s written descriptions. 1884 is the year Laura and Almanzo got engaged. Now we don’t know whether Manly got Laura’s ring from a catalog, he could have gone to one of the local jewelry stores in De Smet, but we do know they ordered other things from the Ward’s catalog (such as their first Christmas gift to each other, the glassware set that included the famous oval bread plate) so it’s not a stretch to assume he ordered Laura’s ring from Montgomery Wards as well, especially if he didn’t want gossip spreading all over town that he was buying a ring.

The museum is taking orders for the initial batch of rings for just a few more days, the order will be sent to the jeweler on October 3.  Since the rings take 4 weeks to make, this is probably your only chance to get the ring in time for Christmas. The museum will continue taking orders after October 3 but the jeweler needs a minimum of six orders for each production run. The initial prices ($299/10k gold, $199/sterling silver) are good through December 31, 2011.

The museum will be taking prepaid orders at Laurapalooza next year but wouldn’t you rather have your ring by then? I know I would. Luckily I have a birthday coming up in November so the timing couldn’t be better. What’s your excuse reason?

Here’s the ordering information for you one more time – go make that phone call so that you can show me your ring at Laurapalooza 2012!

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Own an Engagement Ring Like Laura’s

Back in 2009, Jonni wrote a post about her search for Laura’s engagement ring. Well, those who still want that ring can now order one. The Laura Ingalls Wilder Museum in Walnut Grove’s Nicole Elzenga has been in contact with a jewelrymaker, and as long as he has enough requests, he can make rings to order. Here’s the ad:

Rings available in both gold ($299.00) and silver ($199.00). Watch this space for more from Nicole on the details on the ring and how and when to order.

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Cabinetmaker Builds Replicas of Laura’s Lap Desk

Sarah Uthoff has been in Pepin this past weekend for this year’s Laura Ingalls Wilder Days. In the event’s living history area is cabinetmaker David Johnson, who has built replicas of Laura’s lap desk. Readers of the Rose-penned introduction to On the Way Home, Laura’s diary of the weeks-long wagon ride from South Dakota to Missouri in 1894, remember the lap desk as the unlikely spot in which the family’s $100 bill was lost. (It was eventually found.)

Watch Johnson talk about the lapdesk in Sarah’s video.

Incidentally, a replica just like this one was offered for sale at LauraPalooza 2010. It sold immediately.

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