Lessons from Laura

Mansfield, Missouri, held its annual Little Laura/Little Farmer Boy contest this past weekend.

I asked my seven-year-old niece if she wanted to wear her prairie dress and participate in the contest. “No,” she answered without hesitation. “I want to be in a Mary contest.”

Did I mention my niece is blonde?

I find it somewhat amusing that almost 140 years ago, young Mary was flaunting her own golden locks and poor little Laura thought her brown hair dull and longed for the golden. Now little girls all want brown hair so they can be like Laura — and if they don’t have it, like my niece, they feel as if they’d be discriminated against in a Laura look-alike contest.

Now, mind you, I’m not sure if the judges cared about the hair color or not. But my niece… she cared. I said to her, “There’s not a Mary contest. It’s Laura or nothing.”

“Then I don’t want to be in it,” she decided. “Because I don’t want to dye my hair brown.”

Well, I wasn’t raised on the “Little House” books to let a little complication like that prevent my niece from doing something I knew she would enjoy. I thought of Ma’s green pumpkin pie that fooled Pa into thinking she’d found a way to make apple pie with no apples. I thought of her clever way to make a button lamp when the kerosene ran out. Ma Ingalls taught me well: you make do with what you have. You improvise.

So improvise I did. When I was a little girl, I was mesmerized by the long brown braids my grandmother kept in a little cardboard box in her desk. They had belonged to my mother when she was a little girl. When my grandmother decided to cut her hair, she braided it, and cut the braids off, and kept them. I loved playing with them, as a child. Putting them next to my own long brown braids and comparing the hair color. I loved that they were identical. If I put together her braids and mine, nobody could tell them apart.

My grandmother never gets rid of anything. I knew she still had those braids. She let me borrow them, and I pinned them to the inside of my niece’s sunbonnet.

I braided her own blonde hair and clipped it to the top of her head, then placed the sunbonnet wig on top of her hair. Voila! Little Laura!

She was so excited. She thought it was such a clever trick, and very cool to be wearing her Grandma’s braids. Until the night before the contest, that is.

“I don’t want to be in the contest anymore,” she said.

“Why not?” I asked in surprise. “You were so excited about it!”

“Because I don’t want to cheat,” she said, hanging her head down.

Instantly, I thought of poor Almanzo, winning the prize for his enormous pumpkin at the fair, and then his sudden guilt as he realized that feeding his pumpkin with milk might have been cheating.

My niece hasn’t yet read Farmer Boy, so I shared with her the story, including its happy outcome as Almanzo ‘fessed up and learned that what he had done was totally fair and no rules had been broken. I told her that the contest was not to see who already looks like Laura, but who can dress up the best to look like her. Her braids were part of her costume, and it wasn’t breaking any rules to wear them.

That cheered her right up, and she entered the contest the next morning with a guilt-free conscience.

Sometimes I wonder… could a situation ever arise where there is no Little House story at all that addresses it?

I’ve yet to find one. :)

And no, she did not win the contest (and I felt sorry for the judges who had to choose between 25 or more little girls who all looked just like Laura!) but maybe she would have had the judges known she had the oldest hair. :)   It just so happens that those braids were cut off in 1957… the same year Laura died.

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From Spring Valley, Minn.

The Man of the Place and I went camping in Forestville Mystery Cave State Park, Minnesota, this weekend. This gorgeous area, full of rolling farmland and clear trout streams, offers a bounty of natural resources. It’s no wonder, then, that James and Angeline Day Wilder settled here, in Spring Valley, in 1870. They stayed until 1898, and their son, Almanzo, brought his wife, Laura, and daughter, Rose, to stay with them in 1890 and 1891 while he recovered from his stroke.

Confession time: I had no intention of visiting Spring Valley this weekend. The MotP and I simply did the equivalent of throwing a dart at the map to pick a state park for camping and hiking one last time before the snow flies up here. It was as we pulled into Spring Valley, about twenty minutes from the park, that I realized I was entering Wilder territory.

A squeal, a jump and a sharp right turn later, we were following a sign labeled “Wilder Museum.” It led us to the beautiful Methodist church, attended and partially funded by the Wilders, that now houses artifacts of their 28-year stay in Spring Valley as well as rooms full of community history. It was closed on Friday (the museum is only open on the weekends after Labor Day), but the MotP took my picture in front of it, and promised a trip back through on Sunday.

So, this morning, instead of building another leisurely campfire for breakfast before breaking camp, we packed up the truck, broke down the tent, and headed back into town as soon as we awoke, looking for breakfast on the way. We ended up at Subway for a quick breakfast sandwich–there wasn’t much else right off the main highway–then made our way to the door of the church just as it opened at 10 a.m.

A friendly volunteer teen took me through the upper part of the church, which houses the Ingalls-Wilder collection. The local historians here have done a masterful job of research, digging into community newspaper archives and other materials to unearth photographs of the Wilder family, focusing particularly on James and Angelina’s fiftieth wedding anniversary in 1893 (at which many photographs were taken on their farm) and on the Wilder connection to the church.  Alice, Royal and Eliza Jane all were married in or in affiliation with the church there. Other materials focus on Royal’s variety store, which he opened in Spring Valley after selling out his store in De Smet. Royal’s grave can be found in the cemetery here, and the building in which his store was housed still stands. (Today, it’s a bar.)

A second volunteer took me through the history of Spring Valley in the rooms on the ground level of the church, which feature artifacts from the Native Americans who once populated the area as well as artifacts from the everyday lives of Spring Valley citizens at the turn of the century. It’s tough to describe everything, as the museum houses a truly remarkable collection of everyday cultural history, but as a media historian, I must talk about the enormous collection of cameras and other media technologies that are truly remarkable. One can see a magic lantern, a telegraph key, an Underwood typewriter, and two different movie projectors, as well as cameras from the Kodak brownie on. (More squealing ensued at the site of this collection.)

Here’s the best part: Spring Valley is just under two hours from Mankato, southeast. It’s well within driving distance for a quick trip–so if you’re planning to attend next summer’s LauraPalooza, it’s a good stop.

There was time today for one last squeal: The Wilder farm, now privately owned, is just on the outskirts of town, and a Wilder horse barn still exists on the property. The MotP drove me out there on our way out, and I could see the enormous space the Wilders used to house their famous Morgan horses.

Oh, and one little-known fact I could’ve guessed but didn’t know? Almanzo raced his horses at the town track, and apparently won third place in the Fourth of July centennial races in Spring Valley.

Spring Valley is well worth the visit.

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First James, Then George, Then Grandpa

The story of “Grandpa’s Sled and the Pig” told in Little House in the Big Woods is a popular one. It’s interesting how stories about naughty children are so much more fun than stories about well-behaved ones. :)

But the story has puzzled me for a very long time — ever since I first became interested in doing Ingalls genealogy. You see, if my records are correct, I know who Grandpa is — but who are James and George?

Landsford — Pa’s father,  Laura’s Grandpa — was the youngest son of Samuel and Margaret Ingalls, born in 1812. His older brothers? Samuel Worthen, born in 1808.  John W, born in 1806. Benjamin, 1804. Aaron, 1802. Hiram M, 1800.  James, 1798. And Daniel, 1796.

We have a James, yes… but James is 14 years older than Grandpa.  Is it realistic to imagine a boy of that age — even if Landsford is as young as 5 or 6 years old in the story, that still makes James 19 or 20, a full grown man — sneaking out on Sunday afternoon to play with a sled and being whipped by his father? And which of these brothers, if any, might be our George?

It would make logical sense that if such an event occurred, it would have been the youngest three boys — John, Samuel, and Landsford. If these three boys were indeed the three brothers of Pa’s story, if Landsford was around 6 years old (we aren’t given any indicator of his age in the story, so I’m just choosing an age for reference), that would make Samuel 10 and John 12. That seems reasonable, doesn’ t it?  Can’t you easily imagine the three boys being 12, 10, and 6?  Or 14, 12, and 8?  The two older boys would be old enough to know how to make a sled, yet young enough to enjoy it.

But if our boys are John and Samuel, why does the story say James and George? Were the names changed? I can understand if the boys had a name like Landsford, why Laura might want to change it. But John and Samuel are every bit as ordinary as James and George, so why change them?

Perhaps Laura didn’t remember the names of the boys, so she made some up? That’s certainly possible, although with the names repeated in sequence so many times, one would think that if she remembered Pa telling the story, she would remember the names he used.

What about earlier manuscripts? Might that give us a clue as to their identities? But even in the earliest known version of Pioneer Girl, which preceded the Little House series and gives it its framework, the names James and George are used for Grandpa’s brothers in the telling of this story.

I admit, this is one question I simply can’t answer, and may never have an answer for. What do you think? Which of Grandpa’s brothers do you think are the characters that belong to the story?  Could it truly be James, despite his age? Might one of the other boys have the middle name of George, and gone by that name? Could there have been another son that has eluded genealogists? Or are the names invented for the story? Let’s hear your thoughts. :)

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Wanna Play?

“She stumbled and fell down and her eyes popped open. She was up again and running before she could think.”

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Nellie’s No Seamstress

I just saw something sort of hilarious.

Watching Little House with my kids (they’re just starting to get into it), I’m checking out Nellie’s sewing technique as she plays Meg to Mary’s Marmee in the Walnut Grove school production of Little Women. Remember, the one where classmate Ginny cuts her hair to buy her mom a dress so she can go to the play with Mr. Mayfield?

Anyway, the two of them are onstage, sewing. And Mary’s pantomiming tiny, even stitches (heh), coming out on the top of her invisible fabric then bringing the “needle” around to the bottom.

And Nellie? She keeps just stabbing the top of the fabric over and over again. She’s not sewing, she’s poking pinhole after pinhole. And why? Because Nellie never learned to sew, and Mary has sewn every day of her young life. That’s some fine character acting from Alison Arngrim. She knows Nellie.

I’m not the hugest fan of the TV show, so it’s nice when I get a kick out of it.

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Little House on Facebook

Heh. This just in from Facebook, where a pilot friend of mine shared his opinion on flying a two-engine plane.

The first comment?

“God hates a coward.”

(Can you identify the quote?)

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Anne vs. Laura

Last week I got wind of a fight I didn’t want to participate in — mainly because I could never choose a side. The question at stake: Who’s Cooler: Anne of Green Gables… or Laura Ingalls?

Wow. I felt like Aunt Lotty when Mary asked her which she liked better, brown hair or golden. I love Laura devotedly, of course… but I love Anne too! How could I ever choose between the two?

With a nervous fluttering in my stomach, I decided that my loyalties to Laura were stronger than my loyalties to Anne (I still cringe just thinking about the fact that to support my beloved Laura, I had to stab my dear Anne in the back), cast my vote, and promptly forgot about it.

Until tonight. Apparently the poll has waged all-out warfare between the Bonnet-Heads and the Islanders of cyberspace.

So what do you think? Who is “cooler” — Anne or Laura?  Check out Darren Garnick’s Culture Schlock to hear both sides, cast your vote, then come back and tell us what you think!

(I hate to tell you that as of this posting, Laura is lagging far behind! On the flip side, thought, it makes me feel a little less guilty for my betrayal of Anne.)

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Grandpa’s father

Lately, I’ve been thinking about Samuel Worthen Ingalls. Laura’s great-grandfather.

He interests me because he is the one ancestor Laura never met who makes it into one of her books as a minor character. As I wonder what kind of man he was, Garth Williams’ depiction of him flashes into my mind’s eye. You know the one — he’s leaned back in his chair asleep, his Bible resting open in his lap, while his three errant sons tiptoe out the door to try out their new sled on this forbidden Sunday afternoon.

Yes, that man — Grandpa’s father in the story “Grandpa’s Sled and the Pig” from Little House in the Big Woods — was Samuel Ingalls.

Born in Sandown, New Hampshire, on July 11, 1771, Samuel Ingalls married Margaret Delano in 1793 and moved to Quebec around 1800. Samuel and Margaret had ten children, the youngest being Landsford, Laura’s Grandpa, born in 1812. He returned to the United States shortly afterward, where he served in the War of 1812. He then settled in Cuba, New York, where his grandson Charles (Laura’s Pa) would be born in 1836. Samuel died on February 15, 1841, and is buried at the Maple Lawn Cemetery in Bolivar, New York.

But there’s much more to Samuel than this mere recitation of genealogical facts. You see, in 1809, Samuel Ingalls had a dream. A spiritual vision of future destruction of the wicked.

I think about the man who had this dream… and felt it important enough to write down and spread the message to others. And then I think about the way that this same man enforced a religious upbringing for his family, as told in the story that was passed down to Laura, who recorded it for all of us. A man who had rigid rules for what could and could not be done on a Sunday; a man who invested his time into the study of Scripture; a man who ensured that his children learn the catechisms that would teach them the doctrines of their religion.

And I wonder just how much this dream might have had to do with the strict honoring of Sundays in this family.

But that’s not the only thing about Samuel Ingalls that makes me wonder. You see, when one thinks of the gift for writing that Laura Ingalls Wilder possessed, and especially when one realizes that her daughter, Rose Wilder Lane, had this same gift, it makes one wonder just where this gift came from. One might expect it came from Caroline Quiner Ingalls, the educated refined schoolteacher Laura describes her as. And perhaps it did.

But perhaps the gift came from the Ingalls line. For Laura’s great-grandfather, Samuel Ingalls, wrote more than just his dream. In 1825, he wrote and published a small book, Rhymes of an Unlearned Poet.

So that’s why I’ve been thinking about Samuel Ingalls. Picturing Grandpa’s father in the book… piecing together what bits of information I can find about the man that he was.  And wondering… wondering just how much of what made Laura who she was, was handed down to her from her great-grandfather.

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The Dark Side of Little House

When I think of the Little House series, I think about contentment, family, and happy times. Cozy dinners, lively music, loving hugs … it’s all part of the overall mood, isn’t it?

Then there’s By the Shores of Silver Lake.

The book certainly contains many scenes that evoke familial tranquility. The depiction of the New Year’s Day dinner in the Boasts’ tiny shanty is one of my favorites in the entire series. So is the image of Laura and Carrie sliding on the moonpath. But other than that? Silver Lake is dark.

Attempted murder. Hate crimes. Devastating illness. Death. Swearing. Theft. Embezzlement. Lying to the government. Drunken violence. It’s all in there.

Not that that’s a bad thing. In fact, my latest reread of By the Shores of Silver Lake garnered me a new appreciation for the book’s complexities. It truly is a transitional book. I guess I just never realized how transitional.

What say you? Is Silver Lake as dark as it seems to me? Am I missing darkness in the other books?

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Fall Fun at the Wilder Homesites

Just because summer’s over, don’t think the fun at the Laura Ingalls Wilder homesites has to end!!

This weekend — September 12-13 — celebrate Laura Ingalls Wilder Days in Pepin, Wisconsin — the Little House in the Big Woods.

And next weekend — September 18-20 — is Wilder Days in Mansfield, Missouri, the final home of Almanzo and Laura Ingalls Wilder.

And the following weekend — September 26 — is the annual Harvest Festival in Malone, New York, boyhood home of Almanzo Wilder and the setting for Farmer Boy.

All three events are filled with lots of good old-fashioned pioneer fun! Bring along the family or some friends and enjoy!

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