Should I Be Admitting This?

Rereading New Moon, the sequel to Twilight (and the second book in the Twilight series) on the elliptical this morning, I was jarred–and suddenly remembered being similarly jarred during my first read–to realize that Edward’s real name had been Edward Masen. Born just two years into the twentieth century, when Rose was still in her teens.

Now who does that make a Little House fan think of?

Although no one knows quite who “Mr. Edwards” was or who exactly did what his character did in the Little House series, he’s often thought to be “Edmund Mason,” a real person who existed at that time in Montgomery County, Kansas. And–here’s where I rationalize to myself–maybe Laura called him “Mr. Edward” the way so many children do with adults.

Is that why I’m so besotted with Twilight? Was it predestined?

OK, it’s a stretch. And it’s likely the only Twilight mention you’ll see on this blog. (Thank God!)

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That Engagement Ring

Laura held her hand up to the first light of the new moon. The gold of the ring and its flat oval set shone shone in the faint moon radiance. Three small stones set in the golden oval glimmered…a garnet, with a pearl on each side.

~Laura Ingalls Wilder, in These Happy Golden Years

Reading those words about the engagement ring that Almanzo gave Laura sealed my fate. I’ve been on a quest for that ring ever since.

I bought my first garnet ring while still in high school. While the garnet and pearl combination was popular during the Victorian years, it’s not easily found in modern jewelry so that first ring was silver with a garnet and two tiny diamonds on either side. Although I cherished it at the time, deep in my heart I knew it wasn’t authentic. The search went on.

Back in the dark ages, before internet auction sites, there were antique stores. I had a little more luck there, I found a lovely ring with three garnets and six pearls. Okay, not quite the ring but I was getting closer.

Then came the Internet and suddenly my search was made so much easier. There was a plethora of antique garnet and pearl rings available to buy.  went a little crazy. If what they say is true that three or more of anything is a collection, I have a collection of garnet and pearl rings.

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This is just a small sampling of some of the rings that have found their way into my life. None are exactly right, which is why I kept searching those auction sites, usually late at night when it’s very easy to talk yourself into something even though it isn’t exactly what you’re looking for.

And yet, the constant searching for “garnet pearl ring” paid off not too long ago. I found a listing for a ring made in 1884 (the year Almanzo and Laura got engaged) featuring a center garnet flanked by a pearl on each side. The setting is flat and best of all, it was the perfect size to fit on my index finger. Why is that important, you ask?  Because Laura describes wearing her engagement ring on her “first” finger. In The First Four Years she actually uses the word “index” finger. It doesn’t appear to be a common practice; in all my research I’ve never uncovered any evidence that people commonly used the index finger for engagement rings. Since Ida’s “broad circlet of gold” was on her first finger too, maybe it was a De Smet custom.

So you see where I’m going with this, don’t you? Even though I already had 1 or 2…or 10, garnet and pearl rings lying around, I had to get this new one. It was made in 1884, was the perfect style and fit my index finger. It was a sign, I tell you. Well, at least that’s what I told my husband.  I also told him that I would stop searching for “garnet pearl ring” on the Internet…and I will, soon. ;-)

garnetpearl

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Laura’s Cousin

Imagine picking up a copy of Little House in the Big Woods and reading it for the very first time. Imagine reading about the sugaring-off dance at Grandpa’s, and the jigging contest between Grandma and Uncle George.

And then imagine, just for a moment, that you are reading about your own family.

That’s how it was for young Beth Ingalls, who was asked by her high school classmates if she was related to Laura Ingalls. Beth had never read the Little House books, but she went home and asked her grandfather. “Oh, sure,” he replied. “Laura is my cousin.”

Hiram Leroy Ingalls, Beth’s grandfather, was indeed Laura’s first cousin. His father Hiram Lemuel Ingalls was Charles’ (Pa’s) younger brother. That makes the Grandma and Grandpa of the Big Woods Beth’s great-great-grandparents.

Beth read the books after discovering the family connection, but it wasn’t until about fifteen years ago that she really began to devote herself to learning more about her family history. “My Great-Grandpa Hiram was in the Civil War and played the bugle,” Beth relates. “We had his Civil War rifle hanging on our wall for many years.” The rifle is now in the possession of one of Beth’s cousins.

“Waves of sadness came over me as I walked through the cemetery last summer because I wished I had known them personally, not just heard the stories about them,” reminisced Beth.

“Waves of sadness came over me as I walked through the cemetery last summer because I wished I had known them personally, not just heard the stories about them,” reminisced Beth.

Click here to see the graves of many Ingalls family members, buried in the Orange Cemetery in Burnett County, Wisconsin. Beth’s uncle, Bill Ingalls, had the newer stones placed on the previously unmarked graves.
Beth Ingalls-Leisses and Dorothy Ebert

Beth Ingalls-Leisses and Dorothy Ebert

In recent years, Beth has diligently worked to share her family’s legacy with others. Clothed in prairie attire and accompanied by her able assistant Dorothy Ebert, Beth presents to schools and other groups and organizations, showing pictures of the Ingalls family, talking about pioneer life and demonstrating the use of period items, and also displaying her collection of autographs and photos from the stars of the “Little House on the Prairie” television series, the Disney miniseries, and the musical.

One of Beth’s most exciting moments occurred last October when she went to the Guthrie Theater to see the Little House musical, and was escorted backstage after the show to meet Melissa Gilbert and the rest of the cast, who reportedly were as eager and excited to meet with Beth as she was with them.

Beth does not charge for local presentations in the Beaver Dam, Wisconsin, area, and is even willing to travel within reason (reimbursement of travel expenses is appreciated). Beth explains, “I do this to keep children interested in her books and to know that there really was a Laura. I always explain to the children how I’m related and their eyes get big and the whole room grows silent… then I have their attention for the next hour.”

Beth enjoys asking the children at her presentations what they would do with this chamberpot. After giving answers such as bake beans in it, or use it as a gravy bowl, the children are horrified to learn its real purpose.

Beth enjoys asking the children at her presentations what they would do with this chamberpot. After giving answers such as bake beans in it, or use it as a gravy bowl, the children are horrified to learn its real purpose.

This June, Laura Ingalls Wilder will be inducted into the “Walk of Fame” in Shenandoah, Iowa; a plaque in her honor will be placed on the sidewalk alongside other famous Iowans. Beth Ingalls-Leisses has been invited to participate on Laura’s behalf. “I really feel honored to be doing this and hope that I represent the Ingalls family in the manner it deserves.”

Beth has come a long way from the young girl who had never read the Little House books and had no idea she was related to their author. There are many Ingalls descendants still living today, and there are many people spreading their love of Laura Ingalls Wilder to others around them. But Beth is unique in that she is both, making her a real treasure in the Little House world.

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New Tour Dates for Little House – The Musical

A new article at Playbill lists a few more dates for the 2009-2010 tour.

Is it coming to a theater near you?

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The Michigan Connection…

My husband and I recently visited the Detroit Public Library in Detroit, Michigan, where the original manuscripts of The Long Winter and These Happy Golden Years are housed. It is a trip that I have been wanting to take for a good many years, and I was very excited when I found out that we would finally be able to go. I have always been very nervous about driving in heavy traffic and also seem to have been born without a sense of direction. Driving in Detroit was not something I have ever wanted to attempt alone!

When I first checked into viewing the Laura Ingalls Wilder Collection several years ago, I was told that an appointment had to be made to view these precious items. So this was not something we could do on the spur of the moment. Or so I thought. When I called, I was told that we could come anytime and they could show it to us and that there is no cost (as it states on their website).

So we found ourselves heading to Detroit on a Friday not very long ago. It is about an hour’s drive from our home and with the help of Isabelle, our GPS navigator, we found it easily. After a little bit of wandering, we found the Burton Historical Collection room which houses the Laura Ingalls Wilder Collection. We only had to wait a few anxious moments for an archivist to arrive and put his white gloves on. The Laura Ingalls Wilder Collection includes the manuscripts for The Long Winter and These Happy Golden Years and also contains some letters and photographs.

I read each of the letters, which gave me a little insight into Laura’s life at the time (1948-1949). Most of the correspondence was from Laura to Mr. Ralph Ulveling, who was the Director of the Detroit Public Library system at the time. He had obviously written to her regarding an invitation to be at the opening of the Laura Ingalls Wilder Branch Library, also in Detroit (opened on May 12, 1949). Laura responds by telling him that although she wishes that she could be there, she is not able to because Almanzo had been sick (he was 92 years old at the time) and she could not leave him alone at Rocky Ridge. She also writes regarding her donation of the manuscripts and some photographs and drawings. She also offers to donate the reader and history that she studied in Little Town on the Prairie, however, those items are not included in the collection. There are also letters that she had written to others that must have been donated to the library.

The archivist told us that Laura’s collection was the most popular that they have. He recently had a homeschooling group visit and also a group of Mennonites had come in. I was happy to find out that it was so well known and it is always good to hear that there are young people interested in learning more about Laura.

Of course, I was most interested in the manuscripts. At first, the archivist brought out only the The Long Winter. As if I would be satisfied with seeing only one! He quickly realized that I would want to see them both and retrieved the manuscript for These Happy Golden Years as well. It is an awesome feeling to be able to see the orange school tablets and read a little bit of the stories in Laura’s own handwriting. To have them sitting there right in front of me – “in person!” I would have read both books all the way through, however, I’m not sure that the archivist wanted to stand there and turn each page for me. So I had to be content to read only the first page of each notebook. I really wanted to touch them, just to be able to, for one second, put one finger on something that had been in Laura’s own hands.

My husband told me that he would have created a distraction so that I could sneak a little touch, but no, that wouldn’t have been right. But then again…

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Little House in Strange Places

In the oddest Little House sighting of the day, I was reading Megan McArdle’s blog on the Atlantic Monthly’s web site regarding Pennsylvania Senator Arlen Specter’s defection from the GOP to the Democratic Party. And lo and behold …

Can you spot the Little House reference?

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Pa’s Fiddle… On Your MP3 Player?

Yes, you heard that right… you can now hear Pa’s fiddle tunes on your MP3 player.

Dale Cockrell, of Pa’s Fiddle Recordings, has produced two CDs thus far of songs contained in the Little House books. The CDs are available for purchase on his website.

But now the songs have been released for single song download. At 89 cents apiece, you can now jig to The Irish Washerwoman and other tunes while going about your daily grind. The songs are available at Tiny Tune Town and if you register by April 30, 2009, you will receive a code via email for one free song download.

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Beans in the Bean Pot

As I savored the rich, lovely brown taste of my mother’s Boston Baked Beans at Easter this year, I had a thought: Did Ma have a bean pot?

Like Ma’s family, mine has roots in New England, and one recipe that’s been passed down through the generations is for those beans, which never seem to turn out quite right unless baked in a bean pot.

My mother is the current keeper of the recipe, though she’s shared it, and making it is at least an overnight task. We start by soaking a pound of dried navy beans in cold water overnight.

Then next morning, after about 12 hours of soaking, they’ve plumped up, and are ready for the first cooking. We bring the water to a boil, add a teaspoon of baking soda, and skim the foam that rises off the surface.

(Side-note: In case you’ve ever wondered, soda brings the gas out of the beans, eliminating the need for Bean-o or other gas relieving medication. I imagine this was a useful ingredient when living in close quarters in a prairie winter.)

When the foam dies down, watch the beans, scooping up a few at a time to blow on them. When the skins split as you blow on them, they’re done. Drain and rinse.

Here’s the step that many argue over. It’s possible to now stick these beans in a crock pot or Dutch oven to cook slowly, but they’re really much, much better if cooked in a bean pot. A bean pot is a round crock with a lid; they can be found new in some high end stories or through catalog companies, but they also can be found at a local antique store or flea market.

Place the beans in the pot, add a half a cup of brown sugar, a half a cup of molasses, a tablespoon of salt, a half-teaspoon of black pepper, a half-teaspoon of dried mustard, a half a pound of bacon, cut into small pieces, and water, just to the top of the beans. Don’t cover the beans with water, or they’ll get too juicy. (For the vegans or vegetarians among us, eliminating the bacon is fine. It’s just a flavoring at this point.)

Bake s-l-o-w-l-y, at 250 to 300 degrees, for several hours. On Easter, we soak the beans starting Saturday morning, then bake them overnight so the whole house smells like beans on Sunday morning. We wake up starving, ready to dive in, but are DENIED until dinner.

So, did Ma have a bean pot? All we read in that vivid description of her bean-making in The Long Winter, is that the beans went into a milk-pan with scrolls of molasses and a bit of salt pork.

What do you think? And how do you take your beans?

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Country Contentment

“One gains a lot by going out into the world, by traveling and living in different places,” Rose said to me one day, “but one loses a great deal, too. After all I’m not sure but the loss is greater than the gain.”

“Just how do you mean?” I asked.

“I mean this,” said Rose. “The best anyone can get out of this world is happiness and contentment and people here in the country seem so happy and contented, so different from the restless people of the cities who are out in the rush of things.”

So after all there are compensations. Tho we do not have the advantages of travel, we stay-at-homes may acquire a culture of the heart which is almost impossible in the rush and roar of the cities.

I think there are always compensations. The trouble is we do not recognize them. We usually are so busily longing for things we can’t have that we overlook what we have in their places that is even more worth while….

….We who live in the quiet places have the opportunity to become acquainted with ourselves, to think our own thoughts and live our own lives in a way that is not possible for those who are keeping up with the crowd…

Note: The above excerpts were taken from Laura’s column “The Farm Home,” published in the Missouri Ruralist on November 20, 1919.
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Hey! A New Little House Musical Web Site!

And it’s needlepoint!

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