Laura Season Opens

I just did a quick call around to see when the Laura museums open for the year. This is subject to change in other years, but I thought might give everyone a good idea when they are open. If you are going when the museum is closed, call ahead sometimes something can be arranged. Find contact information under Go Beyond in the header of this site.

Pepin, Wisconsin – May 15th

Independence, Kansas  – April 1st

Walnut Grove, Minnesota – April 1st

Burr Oak, Iowa – April 1st

Spring Valley, Minnesota – June 1st

De Smet, South Dakota – Remains open all year for limited hours but extends hours and opens Sat. starting May 2nd and is open 7 days a week starting June 1st.

Ingalls Homestead  in De Smet, South Dakota – May 28th

Mansfield, Missouri – March 1st

Malone/ Burke, New York  – May 28th

Keystone – June 1st

Sarah S. Uthoff blogs at TrundleBed Tales; look for her on Twitter and YouTube and Blog Talk Radio

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Ask The Experts: The Long Winter

Dear Beyond Little House:

Why was the winter so long?  And do we still have long winters in the same pattern that the old Indian described?

Kathrine

 

Dear Kathrine:

This question is best answered by Barbara Mayes Boustead in this episode of Trundlebed Tales radio, a radio show by Sarah S. Uthoff. Barb works for the National Weather Service and was a presenter at last summer’s LauraPalooza, where her topic was the real-life weather of that winter 1880-1881. She also maintains the blog “Wilder Weather.”

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Little Town on the Prairie, Chapter 7: Nine Dollars

Guest post by Cay Gibson

There are so many chapters I love in Little Town on the Prairie; I couldn’t choose one even though I was offered. So I let the pages fall where they may and took this chapter, undoubtedly one of the shortest in the book. The shortness of this chapter does not take away from the realism of its subject matter. There’s a lot there that clues us, yet again, why the Little House books remain timely books, not only our children to read but, for us to reread.

There is basic 2011 reality hidden in this Little House chapter: financial needs, raising college funds, job layoffs, and the realization that the more we have, the more we want. Contentment seems to be harder to obtain nowadays than a job. That’s pretty bad.

In reading Laura’s books we are repeatedly yet calmly and joyfully reminded how to pull up our work boots and put our best foot forward. We are also reminded how to find contentment in the face of adversity. It kind of helps us to remember that people faced the same problems in the 19th century that we still face in the 21st century.

At the beginning of this chapter Laura is told that the spring rush is over and Mrs. White will no longer need her. Laura has spent that beautiful spring working indoors and has earned only nine dollars. Laura admits:

“One dollar had seemed a great deal of money only six weeks ago, but now nine dollars was not enough.”

Sound familiar?

Yeah, in my little house too.

And Laura is left feeling “cast out, and hollow inside.”

Why do we do this to ourselves? And to our families? We’ve all done it. Gotten something then wanted something more. Right?

When Laura began work, one dollar seemed like a huge amount. Six weeks later, nine dollars is insufficient.

Then Laura discovers that Pa will be out of work that summer as well. “Oh, Pa!” she begins to fret.

But Pa stops her with a pep talk. No matter how unexciting our job is or how unstimulating the work (even Laura would question sewing buttonholes), we can go home with a sense of satisfaction and at the end of the day say as Pa taught us, “You’ve done good work. It’s a good job well done.”

It was the pioneering spirit to be upbeat and undefeated. It still is!

With his pep talk, Pa delivers a “bushel basket covered with a grain sack” in which there is a “rasping of claws, and a cheeping chorus” of chickens! I especially love this part of chapter seven because I have a two-acre hobby farm of sorts on the edge of town where I care for a chicken tractor full of Rhode Island Reds and I love my chickens. Nothing says lovin’ quite like my chickens do. :) This chapter motivates me to try some of Ma’s crumbly bran mash, well peppered. I’m questioning the pepper. Has anyone tried that?

Pa reminds us that we cannot sit idle and ignore the tasks at hand. We still have hay to make while the sun shines and we have our little chickens to care for. On that same page, Laura reminds us of the joy of coming home and the contentment our housework, our gardens (vegetable or flower), our families, and our homes can bring us if we allow it. Ma assigns her girls different chores in caring for the baby chickens. Everyone plays a part in the raising-up of a family. Ma reminds us of orderliness which fills hollowness.

Then there is the talk between Laura and Ma that night of sending Mary off to college. With Laura’s help, this will happen sooner than expected. Laura again feels a sense of pride in the nine dollars she has earned; yet, with that pride, there comes the realization that the nine dollars is what makes the next seven years a reality.

Seven long years. “Mary would be gone. All day long, Mary would not be there.” How many parents have realized that no amount of money could ever buy back our children’s youth?

Suddenly the nine dollars becomes insignificant again and the seven years is a lifetime of hollow.

Lucky are those of us who have visited the Little Houses. They helped put our priorities into perspective. They assisted us in weathering storms. Thanks to Pa and Ma, we were shown that the most precious things in life come from within our homes and not from without.

*****

Here’s a nice lapbook template that read-along participants can do with their children or grandchildren: http://www.homeschoolshare.com/little_town_on_the_prairie.php

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Little House in Simi Valley

Normally I don’t post much about the NBC Little House on the Prairie TV show. However, I think this is worth a post. Alison Arngrim, who appeared on the show as Nellie Oleson and is very generous Twittering with fans @Arngrim, recently shared a 2 part home movie of a visit to Simi Valley, California where much of the TV show was filmed. Arngrim, who appeared as Nellie Oleson, has generously been working with the Walnut Grove Laura Ingalls Wilder Museum in Walnut Grove to provide fans a way to get signed copies of her books through the museum’s mail order system and provides this as another thank you to fans.

Back to Walnut Grove Part 1

Back to Walnut Grove Part 2

While many of the buildings were destroyed in filming the final episode (deliberately so), a few such as the church, were spared and could be seen for years, however a California wild fire took out most of these remaining structures. This video does a good job of helping you understand where the structures used to be so you can compare what you see in the episodes to what is on the ground today.

Sarah S. Uthoff blogs at TrundleBed Tales; look for her on Twitter and YouTube and Blog Talk Radio

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Listening to the voices of nature…

With the birds singing, the trees budding and, “the green grass growing all around,” as we used to sing in school, who would not love the country and prefer farm life to any other? We are glad that so much time can be spent out-of-doors while going about the regular affairs of the day, this combining pleasure with work and adding good health for full measure.

I have a favorite way of doing this, for I have never lost my childhood’s delight in going after the cows. I still slip away from other things for the sake of the walk thru the pasture, down along the creek and over the hill to the farthest corner where cows are usually found as you can all bear witness.

Bringing home the cows is the childhood memory that oftenest recurs to me. I think it is because the mind of a child is peculiarly attuned to the beauties of nature and the voices of the wildwood and the impression they made was deep.

“To him who, in the love of nature, holds community with her visible forms, she speaks a various language,”[i] you know. And I am sure old Mother Nature talked to me in all the languages she knew when, as a child, I loitered along the cow paths, forgetful of milking time and stern parents waiting , while I gathered wild flowers, waded in the creek, watched the squirrels hastening to their homes in the tree tops and listened to the sleepy twittering of birds.

Wild strawberries grew in grassy nooks in spring time. The wild plum thickets, along the creek yielded their fruit about the time of the first frost, in the fall. And all the time between there were ever varied, never failing delights along the cow path of the old pasture. Many a time, instead of me finding the cows they, on their journey home unurged, found me and took me home with them.

The voices of nature do not speak so plainly to us as we grow older, but I think it is because, in our busy lives, we neglect her until we grow out of sympathy. Our ears and eyes grow dull and beauties are lost to us that we should still enjoy.

Life was not intended to be simply a round of work, no matter how interesting and important that work may be. A moment’s pause to watch the glory of a sunrise or a sunset is soul satisfying, while a bird’s song will set the steps to music all day long.

 

“As A Farm Woman Thinks” by Laura Ingalls Wilder. Published in the Missouri Ruralist, April 15, 1923

 


[i] From the poem “Thanatopsis” by William Cullen Bryant

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Little Town on the Prairie, Chapter 6: The Month of Roses

Guest post by Amanda Morris

When I was very young, probably around ten years old, I bought a Little House Diary from a local bookstore. Each chapter was decorated with a border that was representative of that month. I don’t remember if June had roses – I think there might have been strawberries, actually. I don’t have the book anymore to check. But I think of that diary whenever I see the name of this chapter. I tried so hard to keep a diary, imagining that one day people would care as much about my childhood days as they did about Laura’s. Ah, youth.

Anyway, this chapter begins with a description of June on the prairie, and the beautiful wild roses the chapter gets its name from. But Laura does not get to enjoy them because she is still stuck working in town sewing shirts. She’s not thrilled with this arrangement, but it is worth it to bring home her pay to Ma and she looks forward to that all week.

There’s some foreshadowing here – Laura begins to hope that with things going the way they are and the expectation of her teaching wages in the future, they might be able to put Mary in college soon. She can’t bring herself to ask Ma because she can’t bear the thought of being told it is impossible, but the possibility keeps her motivated while she works in town. Laura is still no fan of town at this point. Her description of it is harsh and ugly, and it feels empty to her without the school friends she made the previous winter.

If there is one thing that leaps out in my memory about this chapter, it is the infamous “Tay Pay Pryor” incident. While Laura is busy at work, she hears some noise outside and sees a tall, dignified looking man kicking in screen doors. He encounters a short, round little man trying to enter the saloon, and they arrive at some unspoken understanding to join forces, linking arms and singing while continuing to kick in screen doors and wreaking general havoc in the town. The last door they kick in belongs to the Wilder brothers. Royal Wilder storms out and gives them a piece of his mind, and the short man announces: “My name is Tay Pay Pryor and I’m drunk!” The two men continue on, chanting the words. As Laura says, “The tall man would not say that his name was T.P. Pryor, but he always came in solemnly, “–and I’m DRUNK!”

To prove that you learn something new every day, I just learned that “T.P. Pryor” was actually T.P. Power, Mary Power’s father. I find it pretty funny that he was her friend’s father. I also remember reading the incident as a child and having it go completely over my head. I couldn’t really visualize it, and I didn’t understand why they were kicking in the doors, or singing. I think I might have even thought that the “My name is Tay Pay Pryor” line was part of a song that they were singing, and not the character’s name.

Mrs. White is mortified that Laura is laughing at the spectacle, saying it is a “disgrace to snakes” what drunk men will do. I kind of like that line. Of course Ma and Mary are not amused when she tells the story at home. But Pa’s eyes twinkle and Laura knows that he understands. I think that was the real takeaway for me when I first read this chapter. I didn’t understand the incident, but I saw that Pa understood Laura. The whole episode told me more about the connection that Laura and Pa shared than anything about the antics of the two men.

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Steve Luse of Burr Oak Gives Update

The most recent episode of Trundlebed Tales Radio featured an interview with Steve Luse, director of the Laura Ingalls Wilder Park and Museum in Burr Oak, Iowa. Luse gave listeners the scoop about a major redesign of several of the rooms in the museum to more accurately reflect their original use and give more information about how both the Masters Hotel and the Ingalls Family fitted into Burr Oak.  As usual we had a technical glitch near the beginning, but I think you will enjoy the episode. Also, this week I introduced a new sound effect to represent the Housekeeping segment. What chore do you think it is? A new version of the theme song played on a pump organ was fitting introduced this week as we talked about George Bent and his pump organs.

Steve Luse Interview

A new feature of the Trundlebed Tales Radio is a 15 minute roundup of what’s going on with Laura fandom this month will be done near the beginning of each month for the duration of the Laura “season.”

April Update

The next episode  of Trundlebed Tales Radio will air live on Wed., May 4, 2011

10 PM ET, 9PM CT, 8 PM MT and 7 PM PT

and will feature the Seeking Laura Letters Project.

Sarah S. Uthoff blogs at TrundleBed Tales; look for her on Twitter and YouTube and Blog Talk Radio

 

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The Anniversary of Ma’s Death (Easter Sunday, April 20, 1924)

Eighty-seven years ago, Caroline Quiner Ingalls passed away.  The world knows her (and loves her) as Ma Ingalls.  Upon hearing of her mother’s death, Laura wrote the following passage for The Missouri Ruralist:

As a Farm Woman Thinks
By Mrs. A.J. Wilder

“Mother passed away this morning” was the message that came over the wires and a darkness overshadowed the spring sunshine; a sadness crept into the birds songs.

Some of us have received such messages. Those who have not, one day will. Just as when a child, home was lonely when mother was gone, so to children of a larger growth, the world seems a lonesome place when mother has passed away and only memories of her are left us, happy memories if we have not given ourselves any cause for regret.

Memories! We go thru life collecting them whether we will or not! Sometimes I wonder if they are our treasures in heaven or the consuming fires of torment when we carry them with us as we, too, pass on.

What a joy our memories may be or what a sorrow! But glad or sad they are with us forever. Let us make them carefully of all good things, rejoicing in the wonderful truth that while we are laying up for ourselves the very sweetest and best of happy memories, we are at the same time giving them to others.

June 1, 1924
Missouri Ruralist

Perhaps a good way to remember “Ma” would be to make up a batch of her famous Mixed Pickles…

1 gallon chopped cabbage
1 gallon green tomatoes
1 quart onions
3 green peppers
1/2 cup pickling salt
4 tablespoons ground mustard seed
2 tablespoons ginger
1 tablespoon cloves
1 tablespoon cinnamon
1 tablespoon allspice
6 cups sugar
1 ounce celery seed
6 cups vinegar

Chop cabbage, tomatoes, onions and peppers; sprinkle with salt and let stand an hour or two; press out water.  Mix in other spices, sugar, and celery seed and 6 cups of vinegar or enough to cover the vegetables.  Boil slowly for 20 minutes.  Pour into hot, sterilized glass jars.  Seal.  Process in boiling water bath (212 degrees F.) for 5 minutes.

(Originally published in 1914 Cream City Cook Book, adapted and republished in I Remember Laura by Stephen Hines, 1994).

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Ask the Experts: Foreign Translations of the Books

Dear Beyond Little House:

As a long-time lover of the books AND someone who is interested in foreign languages, I have always been intrigued by the many translated versions, but have had little luck finding them. Some years ago I was able to locate and purchase most of the series in German, a few in Hebrew and one in French. Are they still in print/available in any other languages? Any tips on where to find them (ideally without spending an arm and a leg or traveling to Europe to scour the bookstores)? I’m particularly interested in Slavic languages and Italian.

Thanks,

Naomi Pardue

 

Dear Naomi:

I have assembled a list of thirty-seven languages and dialects in which at least one of the books appeared. Sometimes they don’t translate the entire series, but just individual books. Some languages such as Spanish and French are readily available from places such as Amazon.com, but many were limited runs and now are out of print. I troll Ebay for these, to add them to my list. I do know for sure that Mansfield and De Smet have in the past offered a section of books in the various languages in their gift shops. They don’t list them in the online stores as a rule, but if you call and talk to someone working there, they would probably be able to tell you what they currently have available as well as the prices. I bought a Japanese edition the last time I was in De Smet, which was about two years ago. It has been a lot longer since I’ve been to Mansfield, but the gift shop was offering them at that time. I am not sure about the other gift shops.

Sarah S. Uthoff

 

 

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Wilder Barns Burn! — in 1851

Extra, extra, read all about it!

Wilder Barns Burn

But don’t panic — this is no recent devastation, but rather, a headline culled from an 1851 edition of the Franklin Gazette, courtesy of the Franklin County Historical Society in New York.  The Wilder family at this time was much smaller than the family you know from Farmer Boy. Almanzo and Alice were not yet born, Eliza Jane was probably just learning her bossy ways at the age of 18 months, Royal was three, and the oldest sister Laura (not mentioned in Farmer Boy) was six years old.

Isn’t it fascinating that the buildings were insured? The questions that little tidbit raises… how much did such a policy cost? What losses would it cover? Was insurance typical for farmers in the area, or is this another sign of the Wilders’ affluence that Laura portrays in Farmer Boy? Anyone out there knowledgeable about the insurance business of the mid-1800s?

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